Hose Pipe and Red Flower Joan Miro present an assortment of different items in his canvas Horse, Pipe, and Red Flower. Invest in some opportunity to distinguish the articles that are to some degree concealed in this image. How have Miro camouflaged things? What is attracting the book? How might you paint a still existence of articles? Miro painted things as though they were in a fantasy. Contemplate a fantasy that you have had and make a drawing or painting about it. Attempt to give your craftsmanship a stunning, incredible inclination.
Joan Miro respected cavern canvases and he needed his specialty to be crude, perky, and level. He painted Horse, Pipe, and Red Flower in 1920, not long after he showed up in Paris before he joined the Surrealist development. In this painting, we can see the impact of Cubism. Cubist painters accepted that the genuine importance of items must be caught by showing them according to numerous perspectives simultaneously.
Joan Miro was brought into the world in Barcelona, Spain, yet Paris formed him as a craftsman. He went there without precedent for 1920 and met a wide range of specialists including Pablo Picasso, another Spanish painter, and Ernest Hemingway, an American essayist. He joined the Surrealists, who were keener on depicting dreams and dreams than genuine items or spots. Miro became one of the most mind-blowing known Surrealist painters on the planet.